MERCY

by his own tragedy when readers first meet him hunting fugitives. Later, he allies himself with Alevist. “So much of the history was filled with deceit and manipulation, but also sacrifice,” Erevayn realizes at one point. “So much of what he had learned, now revealed to be false.” In the book’s “About the Author” section, a mention is made that some of Dillon’s writing influences include Steven Erikson’s Malazan Book of the Fallen series and Joe Abercrombie (presumably his First Law trilogy). Readers familiar with those authors will see them all over this fast\u002Dpaced series opener. The usual trappings of epic fantasy are present—maps, glossaries, etc.—but they’re amply augmented by some of the hallmarks of grimdark fantasy, including bouts of gory violence and the liberal deployment of expletives. The characters wield magic in a world of supernatural beings, but most of them sound distinctly contemporary in language and attitude. The novel is also characterized by a great deal of the cynical nihilism that fills the books of the author’s storytelling predecessors. Dillon takes the risk of front\u002Dloading his narrative with the intricate vocabulary and proper names of his story, and despite the presence of glossaries at the front and back of the novel, this gamble doesn’t entirely pay off. Readers unfamiliar with the shotgun\u002Dstyle worldbuilding of the Dungeon Master’s Guide may find themselves swamped by the tale’s arcane terminology. But the author usually overcomes this lack of punchy exposition by keeping readers hooked the old\u002Dfashioned way, with well\u002Ddeveloped characters and smoothly realized dialogue. Alevist dominates the bulk of the story so completely that it’s fortunate he’s drawn as compellingly as he is, a deeply wounded man who’s nonetheless emotionally honest. But even the tale’s main villain, Harglon, often manages to be more than a simple, one\u002Ddimensional bad guy. In his first novel, Dillon accomplishes the crucial feat of making his readers want to move on to his next book."

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4.05

Based on 126 Goodreads ratings

Book Details

Publisher:Of
Published:2024-01-01
Pages:290
Format:paperback
Language:English
ISBN:9798218665

Reading Info

Age Range:12-18

About This Book

This series opener wears its influences openly: readers who know Steven Erikson or Joe Abercrombie will recognize the DNA immediately, from the fugitive-hunter plot to the maps and glossary at the fr...

Our Review

This series opener wears its influences openly: readers who know Steven Erikson or Joe Abercrombie will recognize the DNA immediately, from the fugitive-hunter plot to the maps and glossary at the front of the book. What is worth knowing before handing this to a teen reader is that it earns the grimdark label in full, gory violence and a lot of rough language included, so this sits at the older, harder edge of what gets shelved for teens rather than in the middle of it.

The worldbuilding comes front-loaded and dense, enough invented terminology and proper names that a reader unfamiliar with this kind of doorstop fantasy could genuinely lose the thread despite the glossaries provided for exactly that reason. What pulls the book through that rough patch is the character work: the central fugitive hunter carries real emotional damage rather than generic broodiness, and even the story's main antagonist gets more than one dimension, which is not a given in this genre. At 290 pages in paperback, it's the kind of opener that leaves readers wanting the author's next book.

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