FALLING ANGELS
by Fisher, in the U.S. Freelance operative Torashi Kage, whom a senator has assigned to track down the virus, embarks on a personal vendetta against Maxx—and because Kage doesn’t know where Maxx is, he first goes after Gabby. Thomas caters this finale to readers familiar with the previous series installments. Exhilarating action opens the narrative, with multiple groups of people engaged in combat, rushing somewhere, or scheming to take someone out. Despite the series title featuring Maxx’s name, this is definitely an ensemble cast—the spotlight is shared among many characters, from Dr. Xi and Mr. Green to Maxx’s ever\u002Dreliable military friends Andres Sandoval and Glen Piper. An unexpected standout is one particular villain who struggles with an all\u002Dtoo\u002Drelatable emotional issue\u003B she’s involved in a sinister plan on a global scale but has difficulty overcoming her jealousy, feeling “second best” to the scientist who’s aligned with the man she loves. Maxx makes for a terrific hero and helps to protect Earth, but so do many other characters. The Others, at least in this installment, are mostly an ominous presence—they’re often voiced via the cube, and there’s not much beyond a hint of their specific biology. This doesn’t make them any less daunting, as there seems to be no question that they have the power to devastate the entire planet. The dialogue throughout is rife with cliches (“We’re playing with fire”\u003B “he’s already got one foot in the grave”), but it’s action that truly drives this story, and the author dishes it out in spades."

Based on 119 Goodreads ratings
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Two girls from very different backgrounds carry this novel in alternating points of view, their friendship taking shape just as Edwardian England is plunged into public mourning around Queen Victoria...
Our Review
Two girls from very different backgrounds carry this novel in alternating points of view, their friendship taking shape just as Edwardian England is plunged into public mourning around Queen Victoria's funeral. The historical moment does real work here rather than sitting in the background: it's what pushes both girls to notice the rigid class lines and family secrets they'd been raised inside without ever questioning them, and the story tracks how that noticing turns to real friction as childhood certainty gives way to something more adolescent and aware. It's shelved for ages 12 to 18 and carries a 4.8 average across 119 Goodreads ratings.
The alternating chapters let readers watch the same rigid social world from two different vantage points inside it, so the class divisions aren't explained so much as felt from both sides at once. The friendship itself is both a sanctuary and a battleground, strained by exactly the class and gender expectations each of them is supposed to fall in line with. A strong pick for a teen reader ready for historical fiction that takes its social politics seriously instead of using the past as costume drama, this is a story about how personal rebellion gets shaped, and sometimes blocked, by the era a person happens to be born into.
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