A FLOWER TRAVELED IN MY BLOOD
by Jorge Rafael Videla in 1976 forever reset the country’s history. Under Videla’s direction, a violent military junta kidnapped, tortured, and murdered thousands of Argentines (by some estimates as many as 30,000 who were deemed “subversives”). Centering the saga of the Roisinblits and their matriarch Rosa, journalist Gilliland, in her first book, approaches this brutal period through the eyes of the Abuelas de Plaza de Mayo, a scrappy, courageous group of mothers of desaparecidos who had infants or were pregnant when they were disappeared. Over decades of instability that followed the junta’s rule, the Abuelas were at the forefront of calls for accountability and justice, anchoring their grief in the search for grandchildren who had been born in detention centers and adopted—appropriated—by new families, often with connections to Videla’s government. The author conveys the complicated, heart\u002Dwrenching fullness of her characters’ individual stories and shades their backdrop with compulsively readable history of geopolitical tension and the emerging DNA science that fueled the Abuelas’ fight. Gilliland’s work, exhaustively and compassionately researched, offers a crucial counterbalance to the dark legacy of Argentina’s desaparecidos, injecting the light of a model resistance movement that lay the groundwork for future international human rights investigations. Her humility and respect for the fraught journeys her subjects made toward each other and for the vital questions their journeys raised—about power, identity, family, and collective memory and healing—ensure the text will resonate for generations the world over."

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Poetry, not prose, is the form here, built around questions of heritage and identity — where a teenager's roots come from and how much of that shapes who they're becoming. Ages 12 to 18 is the listed...
Our Review
Poetry, not prose, is the form here, built around questions of heritage and identity — where a teenager's roots come from and how much of that shapes who they're becoming. Ages 12 to 18 is the listed range, a paperback collection, and it asks more of a reader than a typical YA novel would: these poems don't explain themselves the way prose does, and part of the point seems to be sitting with an image or a feeling rather than getting a fast answer.
These poems are willing to be direct about the parts of growing up that are hard to say out loud, which is really the case for handing this to a teen reader rather than a younger one — it's aimed at an audience old enough to recognize their own half-formed feelings about who they are in someone else's carefully chosen words. It's also a reasonable way into poetry for a teen who thinks the form isn't for them, since the subject matter sits close enough to their own life that the unfamiliar format has less distance to cross. Not a browse-once book — the kind meant to be returned to.
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